Table of Content

Babel - USA Pan's Labyrinth - Spain/Mexico
Bamako -France, Mali, USA Secuestro Express -
Caracas, Venezuela
Good Night and Good Luck - USA The Refugees All Stars -
Guinea, Sierra Leone, USA
Crónicas de una Fuga - Argentina The Republic of Baseball -
Republica Dominicana/USA
An Inconvenient Truth - USA Tsotsi - South Africa/ UK
The Last King of Scotland - UK Vete y Vive -
France, Belgium, France, Italy
The Lost City - USA El Violin - Mexico
Mad Hot Ballroom - USA

Volver - Spain

Maquilapolis - USA/Mexico

Water - Canada, India

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Babel

FILM TITLE (Original): Babel
COUNTRY OF ORIGIN: USA
YEAR OF COMPLETION: 2006
RUNNING TIME: 2h 22
FORMAT/COLOR/BW: 35mm, Color
LANGUAGE : English-Spanish-Arabic- Japanese
Spanish Subtitles
SHORT FILM SYNOPSIS:
A powerful conclusion to the trilogy begun with Amores Perros, and 21 Grams, Babel is a modern version of the story of the Tower of Babel. Shot in four languages on three continents by a Mexican director with an international cast it reminds us of our inability to communicate between individuals, and culture. It also reminds us of the hidden tight connectivity between events, and people lives. Starring Brad Pitt, Cate Blanchett, Gael Garcia Bernal, and Adriana Barraza.

SYNOPSIS:
It all starts with a rifle bullet fired by a couple of innocent kids playing with their newly acquired weapon as they tend their goats in Morocco’s Atlas Mountains. In the US, a nanny (Adriana Barraza) cares for the children of an American couple traveling in Morocco. As her son is getting married in Mexico, she illegally embarks on a traumatic journey with the children, and her nephew (Gael Garcia Barnal). Back in Morocco, the American couple (Brad Pitt, and Cate Blanchett) get faced with matters of life and death when the wife is shot as their tour bus passes through a mountain village. In Japan in parallel story we encounter the turmoil of a deaf and mute teenager who has a conflicted relationship with her father.

A powerful conclusion to the trilogy begun with Amores Perros, and 21 Grams, Babel is a modern version of the story of the Tower of Babel. Shot in four languages on three continents by a Mexican director with an international cast it reminds us of our inability to communicate between individuals, and culture. It also reminds us of the hidden tight connectivity between events, and people lives.

FILM CREDITS:
Director Alejandro González Iñarritu
Producer Jon Kilik, Steve Golin, Alejandro González Iñarritu,
Screenwriter Guillermo Arriaga
Cinematographer Rodrigo Pietro
Editor Stephen Mirrione
Music Gustavo Santaolalla
Cast: Brad Pitt, Cate Blanchett, Gael Garcia Bernal, Koji Yakusho, Adriana Barraza, Rinko Kikuchi, Boubker Ait el Caid, Said Tarchani

FILM HISTORY/ PRIZES:
2006 Cannes Film Festival: Best Director

DIRECTOR’S BIOGRAPHY:

Alejandro González Iñarritu was born in Mexico City and started his career as a radio DJ. His highly acclaimed first feature, Amores Perros (00), won numerous awards, including the Grand prix de la Semaine de la Critique at the Cannes Film Festival. His second feature, was 21 Grams (03). Babel (06) is his third feature and won several awards at the Cannes Film Festival including best director.

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Bamako

FILM TITLE (Original): Bamako
COUNTRY OF ORIGIN: France, Mali, USA
YEAR OF COMPLETION: 2006
RUNNING TIME: 115mn
FORMAT/COLOR/BW: 35mm/color
LANGUAGE: Bamara
Spanish subtitles

SHORT FILM SYNOPSIS:
In the courtyard of a house shared by various families, a trial is set up; the plaintiff is Africa, the defendant the World Bank, IMF, and other international bodies, variously accused of causing or increasing Africa’s woes. From this simple conceit Sissako creates a richly commanding film of considerable poetry, wit, wisdom, and power.

SYNOPSIS:
…. “The courtroom is set up in the unpaved courtyard of Mele and Chaka's home in a poor section of Bamako, Mali. The trial is against international institutions like the International Monetary Fund and World Bank, whose policies have brought Africa to its knees with national debt. Unable to develop industry or social services with the little money that is left over after interest has been paid, Africans are trapped in a disastrous situation … Abstract as all this sounds, Sissako brings dry concepts to life through the sometimes humorous, sometimes dramatic words of "witnesses" drawn from every walk of life as well as lawyers who eloquently present the case for the plaintiffs and, less convincingly, the defendants.

… The warm, gorgeous colors of Mali are captured in Jacques Besse's delightful, eye-catching cinematography. Africa's great new music sounds are heard via Aissa Maiga's opening and closing song numbers (sadly, left untranslated in the subtitles) and a soul-piercing chant executed by veteran Zegue Bamba … Talented Mauritanian director Abderrahmane Sissako ("Life on Earth," "Waiting for Happiness") hits a high note with this warm winner.” Deborah Young, Variety.com

FILM CREDITS:
Director Abderrahmane Sissako
Executive Producer Danny Glover, Joslyn Barnes
Producer Denis Freyd, Abderrahmane Sissako
Screenwriter Abderrahmane Sissako
Cinematographer Jacques Besse
Editor Nadia ben Rachid
Music Dana Farzanehpour
Cast: Aïssa Maïga, Tiécoura Traoré, Hélène Diarra, Habib Dembélé

FILM HISTORY/ PRIZES:
Cannes 2006, Section Officielle - Hors competition

DIRECTOR’S BIOGRAPHY:
Abderrahmane Sissako was born in Kiffa, Mauritania and raised in Mali. After studying at the Russian State Institute of Cinematography in Moscow, he directed several short films including Octobre (93) and Sabriya (96), followed by the documentary Rostov-Luanda in 1997. His feature films include La Vie sur terre (98), and Waiting For Happiness (02), and Bamako (06).

PHOTO GALLERY - DURING FESTIVAL
UASD - Santiago, Nov. 9, 2006

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Good Night and Good Luck

FILM TITLE (Original): Good Night and Good Luck
COUNTRY OF ORIGIN: US
YEAR OF COMPLETION: 2006
RUNNING TIME: 93mn
FORMAT/COLOR/BW: 35mm/B&W
LANGUAGE: English
Spanish Subtitles
SHORT FILM SYNOPSIS:
In the early 1950's, the threat of Communism created an air of paranoia in the United States and exploiting those fears was Senator Joseph McCarty of Wisconsin. However, CBS reporter Edward R. Murrow (David Strathairn) and his producer Fred W. Friendly (George Clooney) decided to take a stand and challenge McCarthy and expose him for the fear monger he was. However, their actions took a great personal toll on both men, but they stood by their convictions and helped to bring down one of the most controversial senators in American history.

FILM SYNOPSIS:
The year is 1953, television is still in its infancy and the esteemed broadcast journalist, Edward R. Murrow (David Strathairn) anchors the popular news documentary show, “See it Now,” on CBS. With a desire to report the facts and enlighten the public, the ground-breaking Murrow, and his dedicated staff - headed by his producer Fred Friendly (George Clooney) - defy corporate and sponsorship pressures to examine the lies and scaremongering tactics perpetrated by Senator Joseph McCarthy during his communist ‘witch-hunts’.

The real-life conflict between Murrow, McCarthy and the House Un-American Activities Committee develops into a very public feud when McCarthy accuses anchor Murrow of being a communist. In this climate of fear and reprisal, the CBS crew carries on regardless, and their tenaciousness eventually pays off when McCarthy is brought before the Senate and made powerless as his lies and bullying tactics are finally uncovered. Yet Murrow and his team have paid a high price and the show is shifted to a lesser time slot. Their legacy, however, has remained intact and even reverberates today as the standard for high quality broadcast journalism.

FILM CREDITS:
Director: George Clooney
Exec. Producer: Steven Soderbergh, Grant Heslov, Jeff Skoll
Producer: Grant Heslov
Screenplay: George Clooney, Grant Heslov
Cinematographer: Robert Elswit
Editor: Stephen Mirrione
Cast: David Strathairn, Jeff Daniels, Robert Downey Jr., Patricia Clarkson, George Clooney

DIRECTOR’S BIOGRAPHY:
George Clooney
An acclaimed television actor and blockbuster film actor, George Clooney made his directorial debut in 2002 with "Confessions of a Dangerous Mind" (Miramax), for which he won the Special Achievement in Film award from the National Board of Review. He also works with Section Eight television division and has served as executive producer and directed five of the episodes of ?Unscripted,? a reality-based show that debuted on HBO in January. He also was an executive producer and cameraman for "K-Street," also for HBO.

FILM HISTORY/ PRIZES:
Six Oscar Nominations, 2005 LAFCA Awards, 2006 Independent Spirit Awards, 2005 European Film Awards, and many other Nominations and Awards.

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Crónica de una Fuga

FILM TITLE (Original): Crónica de una Fuga
COUNTRY OF ORIGIN: Argentina
YEAR OF FILM COMPLETION: 2006
RUNNING TIME: 102mn
FORMAT/COLOR/BW: 35mm, Color
LANGUAGE: Spanish
SHORT FILM SYNOPSIS:
Based on true story: A “task group” working for the Argentine military government kidnaps Claudio Tamburrini, goalkeeper of a B-league soccer team, and takes him to a clandestine detention center known as Sere Mansion: After four months of imprisonment, and torture, Claudio and three other inmates forced open a window and jump out in the middle of a storm, completely naked. At that point their future begins.

FILM SYNOPSIS:
The filmed version of a real life horror tale, Crónica de una Fuga turns the chilling story of Argentina's military regime and its large scale political murders into a tense, exciting escape thriller. The 1976 coup détat led to Argentina’s military regime – which remained in place until 1983 – is remembered for the thirty thousand people who disappeared during that period. Based on true story. a “task group” working for the Argentine military government kidnaps Claudio Tamburrini, goalkeeper of a B-league soccer team, and takes him to a clandestine detention center known as Sere Mansion: After four months of imprisonment, beatings, humiliations, betrayals, relentless violence, mental and physical, Claudio and three other inmates forced open a window and jump out in the middle of a storm, completely naked. At that point their future begins.

… Last third of the film is a masterful exercise in non-stop tension that ends on a high note. Forceful acting plays a key role in giving the story credibility, with De La Serna and Casero lighting the way.

FILM CREDITS:
Director: Israel Adrian Caetano
Producers: Oscar Kramer, Hugo Sigman
Screenwriter Israel Adrian Caetano, Esteban Student, Julian Loyola
Cinematographer Julian Apezteguia
Editor Alberto Ponce
Music Ivan Wyzsogrod
Cast: Rodrigo de la Serna, Nazareno Casero, Pablo Echarri, Lautaro Delgado

DIRECTOR’S BIOGRAPHY:
Israel Adrián Caetano was born in Montevideo, Uruguay. At the age of sixteen, he moved to Argentina and began directing short films. In 1997, he co-directed his first feature, Pizza, Beer and Cigarettes, which became an enormous critical and commercial success in Argentina. His next two features, Bolivia (01) and A Red Bear (02), won numerous International awards. Chronicle of an Escape (Crónica de una Fuga) (06) is his most recent feature.

FILM HISTORY/ PRIZES:
Nominated, Golden Palm, 2006 Cannes film Festival

PHOTO GALLERY - DURING FESTIVAL
UASD - Santiago, Nov. 9, 2006

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An Inconvenient Truth

FILM TITLE (Original): An Inconvenient Truth
COUNTRY OF ORIGIN: US
YEAR OF COMPLETION: 2006
RUNNING TIME: 94mn
FORMAT/COLOR/BW: 35mm/color
LANGUAGE: English
Spanish Subtitles
SHORT FILM SYNOPSIS:
Humanity is sitting on a time bomb. If the vast majority of the world’s scientists are right, we have just ten years to avert a major catastrophe that could send our entire planet’s climate system into a tail-spin of epic destruction beyond anything we have ever experienced. Former U.S. Vice President Al Gore offers a passionate and inspirational look at the myths and misconceptions that surround global warming and inspire actions to prevent it.

FILM SYNOPSIS:
Humanity is sitting on a time bomb. If the vast majority of the world’s scientists are right, we have just ten years to avert a major catastrophe that could send our entire planet’s climate system into a tail-spin of epic destruction beyond anything we have ever experienced involving extreme weather, floods, droughts, epidemics and killer heat waves. Former U.S. Vice President Al Gore offers a passionate and inspirational look at the myths and misconceptions that surround global warming and inspire actions to prevent it. In this eye-opening and poignant portrait of Gore and his “traveling global warming show,” Gore is funny, engaging, open and downright on fire about getting the surprisingly stirring truth about what he calls our “planetary emergency” out to ordinary citizens before it’s too late.

Gore pulls no punches in explaining the dire situation. Interspersed with the bracing facts and future predictions is the story of Gore’s personal journey: from an idealistic college student who first saw a massive environmental crisis looming; to a young Senator facing a harrowing family tragedy that altered his perspective; to the man who almost became President but instead returned to the most impassioned cause of his life – convinced that there is still time to make a difference.

FILM CREDITS:
Director: Davis Guggenheim
Executive Producers: Jeff Skoll, Davis Guggenheim, Diane Weyermann, Ricky Strauss, Jeff Ivers
Producers: Laurie David, Lawrence Bender, Scott Z. Burns
Co-Producer: Lesley Chilcott
Cinematography: Bob Richman, Davis Guggenheim
Editor: Jay Cassidy, Dan Swietlik
Music: Michael Brook
Featuring: Al Gore

DIRECTOR BIO:
Davis Guggenheim
Davis Guggenheim, Executive Producer on Training Day and Director of the feature film Gossip, received the 2002 Peabody Award and Grand Jury Prize at Full Frame Film Festival for The First Year, a PBS documentary about the challenging initial year of several public school teachers. Guggenheim is also producer and director of the Emmy Award winning HBO series “Deadwood” and has directed episodes of such critically acclaimed programs as NYPD Blue, ER, The Shield, Alias, and 24. Guggenheim’s other documentary films include Norton Simon: A Man and His Art, and JFK and the Imprisoned Child”.

FILM HISTORY:
Sundance Film Festival, Cannes Film Festival, Durban International Film Festival, Edinburgh International Film Festival, Los Angeles Film Festival, Brisbane International Film Festival

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The Last King of Scotland

FILM TITLE (Original): The Last King of Scotland
COUNTRY OF ORIGIN: United Kingdom
YEAR OF COMPLETION: 2006
RUNNING TIME: 121mn
FORMAT/COLOR/BW: 35mm, Color
LANGUAGE: English
Spanish Subtitles
SHORT FILM SYNOPSIS:
In 1971, in an incredible twist of fate, a Scottish doctor (James McAvoy) on a Ugandan medical mission becomes irreversibly entangled with one of the world's most barbaric figures: Idi Amin (Forest Whitaker) who was responsible by the end of his “reign” for the execution of over 300,000 of his own people. Loosely based on a book by Giles Foden.

FILM SYNOPSIS:
In an incredible twist of fate, in 1971, a Scottish doctor (James McAvoy) on a Ugandan medical mission becomes irreversibly entangled with one of the world's most barbaric figures: Idi Amin (Forest Whitaker. Impressed by Dr. Garrigan's brazen attitude in a moment of crisis, the newly self-appointed Ugandan President Amin hand-picks him as his personal physician and closest confidante. Though Garrigan is at first flattered and fascinated by his new position, he soon awakens to Amin's savagery - and his own complicity in it. Horror and betrayal ensue as Garrigan tries to right his wrongs and escape Uganda alive.
The film features a towering performance from Forest Whitaker as Amin and carves two unforgettable portraits: one of a charismatic but psychopathic ruler who ravaged his country and the other, of a witness to history who finally finds the courage to make a stand.

FILM CREDITS:
Director: Kevin Macdonald
Executive Producers: Tessa Ross, Andrew Macdonald, Allon Reich
Producer: Andrea Calderwood, Lisa Bryer, Charles Steel
Screenplay: Peter Morgan, Jeremy Brock, based on the novel by Giles Foden
Cinematographer: Anthony Dod Mantle
Editor: Justine Wright
Music: Alex Heffes
Cast: Forest Whitaker, Gillian Anderson, James McAvoy, Kerry Washington

DIRECTOR’S BIOGRAPHY:
Kevin Macdonald was born in Glasgow and studied at Oxford University. He is a journalist, author, director, and producer. His documentary One Day In September (99) won an Academy Award for best documentary feature in 2000. His other films include Chaplin’s Goliath (96), A Brief History of Errol Morris (99), and Touching The Void (03). The Last King of Scotland is his most recent film.

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The Lost City

FILM TITLE (Original): The Lost City
COUNTRY OF ORIGIN: US
YEAR OF FILM COMPLETION: 2005
RUNNING TIME: 143 minutes
FORMAT/COLOR/BW: Color
LANGUAGE: English
Spanish Subtitles

SHORT FILM SYNOPSIS:
Andy Garcia directs and stars in this intensely personal tribute to his native land. This family drama of impossible love is a poignant remembrance of a time gone by, when so much was lost forever. Respectfully and elegantly rendered, with an extraordinary musical tapestry. Written by novelist Guillermo Cabrera Infante. With: Bill Murray, Dustin Hoffman, Inés Sastre, Tomás Milian and Steven Bauer.

FILM SYNOPSIS:
The Lost City realizes an 18-year dream by actor/director/composer Andy Garcia to bring the story of his native Cuba to the screen against the backdrop of its historic revolution, vibrant music, and a passionate story of impossible love. He succeeds on all levels with a richly textured screenplay by the late, acclaimed author G. Cabrera Infante.

In 1958, the lively city of Havana, the Paris of the Caribbean, is caught in the throes of change. Urban rebels plot the violent overthrow of Dictator Fulgencio Batista while Che Guevara and Fidel Castro plan their revolution. El Tropico, Havana's classiest nightclub, is a haven in the midst of turmoil. Its owner, Fico Fellove (Garcia), is as steadfastly apolitical as his two brothers (Nestor Carbonell and Enrique Murciano) are fervent about their dissent. Discreetly, Fellove's gaze rests on the lovely face of his coveted sister-in-law, Aurora (Inés Sastre).

Through Fico's eyes, we watch a culture vanish and witness a family's disintegration. These are the ghosts of the people so many Cuban exiles left behind. A common bond. History, passionate love stories and music, and the country's lifeblood are constant reminders of what's been lost. This life-altering epoch is perfectly recollected with period costumes by Deborah L. Scott (Oscar Winner, Titanic) and Emmanuel Kadosh's stylish cinematography. Tomas Milian, Dustin Hoffman, Bill Murray and Steven Bauer co-star. Garcia composed the exquisite musical score, which features stellar musicians like the legendary Israel "Cachao" López. His vast respect and passion for the subject is evidenced by his astute, evenhanded direction. Masterfully, he sends a love letter to the Cuban people, postmarked from 1950s Havana.


FILM CREDITS:

Director: Andy Garcia
Executive Producers: Tom Gores?Johnny O. Lopez
Producers: Frank Mancuso, Jr.?Andy Garcia
Screenwriter: G. Cabrera Infante
Cinematographer: Emmanuel Kadosh
Editor: Christopher Cibelli
Music: Andy Garcia
Cast: Andy Garcia, Inés Sastre, Tomás Milian, Bill Murray, Dustin Hoffman, Steven Bauer, Elizabeth Peña

DIRECTOR’S BIOGRAPHY:

Andy Garcia is a renowned actor, producer, composer and director. His performance in Godfather III was nominated for an Oscar, and he recently appeared in Ocean’s Twelve. Garcia has won Grammies for his collaborations with legendary musician Israel “Cachao” Lopez. He marked his directorial debut with the documentary Cahao … Como Su Ritmo No Hay Dos. He is the producer, composer, and first time director of The Lost City.

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Mad Hot Ballroom

FILM TITLE (Original): Mad Hot Ballroom
COUNTRY OF ORIGIN: USA
YEAR OF COMPLETION: 2005
RUNNING TIME: 105mn
FORMAT/COLOR/BW: 35mm /color
LANGUAGE: English
Spanish Subtitles
SHORT FILM SYNOPSIS:
MAD HOT BALLROOM is an inspiring look inside the lives of eleven-year-old New York City public school kids from Washington Heights, who journey into the world of ballroom dancing and reveal pieces of themselves along the way. Told from their candid, sometimes hilarious perspectives, they are transformed from typical urban kids to “ladies and gentlemen,” as they strive toward the final citywide competition.

SYNOPSIS:
MAD HOT BALLROOM is an inspiring look inside the lives of eleven-year-old New York City public school kids from Washington Heights, who journey into the world of ballroom dancing and reveal pieces of themselves along the way. Told from their candid, sometimes hilarious perspectives, they are transformed from typical urban kids to “ladies and gentlemen,” as they strive toward the final citywide competition. Scenes from their training, rehearsals, pep talks, and intimate episodes with the students, along with the lively action from the exciting competitions, provide a very close and personal look into the lives of these hopeful children and their parents.

Celebrating these intricate lives, MAD HOT BALLROOM reminds us of what it was like when anything was possible. Living with the complexities of big city life, these kids take on something unfamiliar and rise to the occasion. Filled with emotion and triumph, this documentary feature is a resounding exclamation point for growing up in America.

FILM CREDITS:
Director Marilyn Agrelo
Producer Amy Sewell, Marilyn Agrelo
Base on the article by Amy Sewell
Cinematographer Claudia Raschke-Robinson
Editor Sabine Krayenbuhl
Music Steven Lutvak and Joseph Baker

FILM HISTORY/ PRIZES:
Audience Award for Best Documentary at Sydney Int’l Film Festival, Special Jury mention Competition at Karlovy Vary Film Festival, Best International Film at Encouters South African Documentary Festival.

DIRECTOR’S BIOGRAPHY:
Marilyn Agrelo has over 15 years of experience producing independent films (most recent, Smash The Kitty, 03), and numerous commercial and fundraising films. She is continuing work on the documentary Us & Them, a chronicle of her divided family, shot in both the US and Cuba. Other documentary works include The Orbis Story, a short about an international humanitarian project. Mad Hot Ballroom is her directorial feature debut.

PHOTO GALLERY - DURING FESTIVAL
UASD - Santiago, Nov. 10, 2006

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Maquilapolis

FILM TITLE (Original): Maquilapolis (City of Factories)
COUNTRY OF ORIGIN: US/Mexico
YEAR OF COMPLETION: 2006
RUNNING TIME: 68 min
FORMAT/COLOR/BW: HDCAM/Color
LANGUAGE: English
Spanish Subtitles
SHORT FILM SYNOPSIS:
Carmen and Lourdes work in Tijuana’s maquiladoras, the foreign-owned factories which came to Mexico for its cheap labor. Every day, these workers confront labor violations, environmental devastation and urban chaos. In MAQUILAPOLIS, they reach beyond the daily struggle for survival to organize for change. They also use video cameras to document how globalization has transformed their city and to share their hopes for the future.

SYNOPSIS:
Carmen works the graveyard shift in one of Tijuana’s 800 maquiladoras, the multinationally-owned factories that came to Mexico for its cheap labor. After making television components all night, Carmen comes home to a shack she built out of recycled garage doors, in a neighborhood with no sewage lines or electricity. She suffers from kidney damage and lead poisoning from her years of exposure to toxic chemicals. She earns six dollars a day. But Carmen is not a victim. She is a dynamic young woman, busy making a life for herself and her children. As Carmen and a million other maquiladora workers produce televisions, electrical cables, toys, clothes, computer keyboards, batteries and IV tubes, they weave the very fabric of life for consumer nations. They also confront labor violations, environmental devastation and urban chaos -- life on the frontier of the global economy.

In MAQUILAPOLIS, Carmen and her friend Lourdes reach beyond the daily struggle for survival to organize for change: Carmen takes a major television manufacturer to task for violating her labor rights. Lourdes pressures the government to clean up a toxic waste dump left behind by a departing factory. The women also use video cameras to document their lives, their city and their hopes for the future.

As they work for change, the world changes too: a global economic crisis and the availability of cheaper labor in China begin to pull the factories away from Tijuana, leaving Carmen, Lourdes and their colleagues with an uncertain future.

FILM CREDITS:
Director Vicky Funari, Sergio De La Torre
Executive Producer Vivian Kleiman
Producer Vicky Funari, Sergio De La Torre
Co-Producers Darcy McKinnon, Annelise Wunderlich
Screenwriter
Cinematographer Daniel Gorrell, Sophia Constantinou
Editor Vicky Funari
Music Pauline Oliveros, Nortec Collective, John Blue
Cast: Carmen Durán, Lourdes Luján
In collaboration with the women of Grupo Factor X, the Chipancingo Collective for
Environmental Justice and Women’s Rights Advocates

FILM HISTORY/ PRIZES:
World Premiere, International Film Festival Rotterdam, February 2006.
Latin American Premiere, Guadalajara International Film Festival, Competition, March 2006.
North American Premiere, Tribeca Film Festival, Documentary Competition, April-May 2006

DIRECTORS’ BIOGRAPHY:
Vicky Funari, Producer/Director/Editor: Funari produced, directed and edited the acclaimed non-fiction feature film Paulina, which received a Grand Jury Prize at the 1998 San Francisco International Film Festival and Lifetime Television's Vision Award at the 1998 Hamptons Film Festival. Live Nude Girls Unite!, won a Golden Spire and the Audience Award at the San Francisco International Film Festival, and aired on Cinemax in 2001. Funari began her film career in 1985 by assistant directing the indie feature Working Girls, directed by Lizzie Borden.

Sergio De La Torre, Producer/Director: Sergio De La Torre is a photographer, performance artist and installation artist. De La Torre grew up in the Tijuana/San Diego border area and migrated to San Francisco. His photographic, performance and installation works have focused on issues regarding diaspora/tourism and identity politics. In 1995, De La Torre co-founded the performance/installation group Los Tricksters. His works, among them Access Denied, Disappearing and Mexiclone, have appeared in many Performance Arts Festival around the world, and his film and video work has included photography for La Raza, directed by Alfonso Dávila, and assistant to the art director on Garden of Eden, directed by Maria Novaro.

PHOTO GALLERY - DURING FESTIVAL
FUNGLODE - Santo Domingo, Nov. 10, 2006

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Pan's Labyrinth

FILM TITLE (Original): Pan's Labyrinth
COUNTRY OF ORIGIN: Spain/Mexico
YEAR OF COMPLETION: 2006
RUNNING TIME: 112 minutes
FORMAT/COLOR/BW: 35mm, Color
LANGUAGE : Spanish
SHORT FILM SYNOPSIS:
"Pan's Labyrinth" is the story of a young girl that travels with her mother and adoptive father to a rural area up North in Spain, 1944. After Franco´s victory. The girl lives in an imaginary world of her own creation and faces the real world with much chagrin. Post-war Fascist repression is at its height in rural Spain and the girl must come to terms with that through a fable of her own.

DIRECTOR’S BIOGRAPHY:
Guillermo del Toro was born in Guadalajara, Mexico and began making Super 8 films in his youth. In 1985, he started Necropia, a special-effects company, and he worked as a makeup supervisor for nearly a decade. In 1993, he completed his feature directorial debut, Cronos. Since then, he has produced several films and directed Mimic (97), The Devil's Backbone (01), Blade II (02) and Hellboy (04). Pan's Labyrinth (06) is his sixth feature film.

ARTICLES ABOUT THIS FILM

PHOTO GALLERY AND VIDEO:
Cinematography: Master Class: Guillermo Navarro, Nov. 11th 2006 in FUNGLODE
Photo Gallery | Video

COMPLETE SYNOPSIS:
One of the horrific manifestations of the dark side of human nature is the capacity to wage war, and nothing is more perverse or destructive than civil war - it separates friends and neighbours, and sets brother against brother. The 1936 civil war that led to Franco's nearly forty-year dictatorship was a terrible time in Spain's history. Guillermo del Toro's 2001 film The Devil's Backbone was a gothic ghost story infused with the nightmare of that war. His latest film, Pan's Labyrinth, revisits the war's aftermath, once again crossing historical drama with genre and bringing the horrors of Spain's fascist regime to life. It's a thriller with elements of the fantastic and classic del Toro gore.

The year is 1944. Young Ofélia (Ivana Baquero) is forced to move into her stepfather's home, now that her mother, Carmen (Ariadna Gil), is about to give birth. She hates her new life and her new father, the tyrannical Captain Vidal (an incredibly creepy performance by Sergi López). He is intent on snuffing out the brave maquis, rebel forces who, despite all odds, refuse to allow their spirits to be crushed by the fascists. Ofélia finds an ally in Mercedes (Maribel Verdú), Vidal's servant, who is secretly helping the rebels. She also discovers a labyrinth near the house and meets its grotesquely fawnlike keeper, Pan (Doug Jones), who gives her three dangerous tasks to complete.

With great ingenuity, an incredible sense of timing and an ability to connect the real and the imaginary with his themes and characters, del Toro is able to weave seamlessly between reality and fantasy, giving the story a fluidity that maintains its suspense throughout. One of the most amazing features of this fairy tale for adults is the imagination del Toro and his crew exhibit. Characters like the Pale Man, whose eyes are in the palms of his hands, will chill you to the bone. Pan's Labyrinth is a testament to the power of the imagination, a force Franco's fascists did everything in their power to eradicate. - Diana Sanchez, Toronto International Film Festival.

FILM CREDITS:
Director: Guillermo del Toro
Executive Producer : Belen Atienza, Elena Manrique
Producer: Guillermo del Toro, Bertha Navarro, Alfonso Cuarón, Frida Torresblanco, Álvaro Áugustin Screenplay: Guillermo del Toro
Cinematographer: Guillermo Navarro
Editor: Bernat Vilaplana
Production Designer: Eugenio Caballero
Sound: Miguel Polo
Music: Javier Navarrete
Cast: Sergi López, Maribel Verdú, Doug Jones, Ivana Baquero, Ariadna Gil, Alex Angulo, Federico Luppi

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Secuestro Express

FILM TITLE (Original): Secuestro Express
COUNTRY OF ORIGIN: Venezuela
YEAR OF COMPLETION: 2005
RUNNING TIME: 86mn
FORMAT/COLOR/BW: 35mm color ratio 1.85:1 Sound : Dolby Digital
LANGUAGE : Spanish
Spanish Subtitles
SHORT FILM SYNOPSIS:
Carla and Martin (Jean Paul Leroux) are a well-heeled couple headed home
at dawn after a night of drug-and-alcohol-soaked clubbing. Before they make it,
they're abducted at gunpoint by professional kidnappers looking for an easy payday. On the surface, "Secuestro Express" is an action film but upon closer inspection, however, the film surfaces as a poetic treatise on the devastation of class conflict, and a social commentary on the chasm between the rich and poor.

SYNOPSIS:
Secuestro Express, the chilling debut by writer/director Jonathan
Jakubowicz, goes to the street level in Caracas for a fictional account
that is all too real for many Venezuelans caught somewhere between the
bottom and the top.

Carla and Martin (Jean Paul Leroux) are a well-heeled couple who, after
a night of drug-and-alcohol-soaked clubbing, make their way home around
dawn. But before they make it, they're abducted at gunpoint by
professional kidnappers looking for an easy payday. Carla's father
(Ruben Blades), a prominent doctor, will provide that payout, but it's
up to Carla and Martin to make it through the sizzling Caracas morning
before their captors go too far.

Kidnap Express draws a clear and disturbing class line yet, vicious as
the depictions are, no one side fares better. As ultra-violent and
seemingly remorseless as the captors are, they have families to support.
And as scared and blameless as Carla and Martin are, they seem to have
paid little thought to their less fortunate countrymen until staring up
the barrel of a gun at them. On the surface, "Secuestro Express" is an action
film but upon closer inspection, however, the film surfaces as a poetic treatise
on the devastation of class conflict, and a social commentary on the chasm
between the rich and poor.

FILM CREDITS:
Director Jonathan Jakubowicz
Executive Producer Elizabeth Avellán
Executive Producer Eduardo Jakubowicz
Producer Sandra Condito
Producer Saloman Jakubowicz
Producer Jonathan Jakubowicz
Screenwriter Jonathan Jakubowicz
Cinematographer David Chalker
Editor Ethan Maniquis
Music Angelo Milli
Cast: Mia Maestro, Carlos Julio Molena, Pedro Perez, Carlos Madera, Jean Paul Leroux, and Rubén Blades.
FILM HISTORY/ PRIZES:

DIRECTOR’S BIOGRAPHY:
Jonathan Jakubowicz (Venezuela) wrote and directed Kidnap Express and
the documentary Ships of Hope, which screened at the Director's Guild of
America's Angelus Awards and the Havana Film Festival and won Best
Documentary at the Premios a la Calidad de CENAC. Ships of Hope,
purchased by HBO OLE and History Channel Latin America, was in
programming rotation for two years.

PHOTO GALLERY DURING FESTIVAL
UASD - Santo Domingo, Nov. 9, 2006
UASD - Santiago, Nov. 10, 2006

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Refugee All Stars

FILM TITLE (Original): The Refugees All Stars
COUNTRY OF ORIGIN: Guinea, Sierra Leone, USA
YEAR OF COMPLETION: 2005
RUNNING TIME: 80mn
FORMAT/COLOR/BW: Digital Betacam/Color
LANGUAGE : Krio, English
Spanish Subtitles
SHORT FILM SYNOPSIS:
And the beat goes on! Refugees, victims of the brutal Sierra Leon war, form a band and perform reggae-tinged music in their safe-haven camp in Guinea. While their music inspires, their powerful personal stories quickly dispel the stereotype of refugees as helpless victims of war. A moving and elating experience. Winner of the Best Documentary Award at the A.F.I. Film Festival 2005.

SYNOPSIS: MIFF
The civil war in Sierra Leone devastated a nation and ripped apart countless families, but it could not break the bond that developed among six remarkable musicians. The Refugee All Stars documents their struggle to testify to the day-to-day realities of the refugee experience, using the universal language of music.

In many ways, they are like the aspiring lyricists one can see rapping on the street corners of any large American city. Yet these bandmates have a unique story to tell, a first-person depiction of life in the refugee camps, where they were shuttled by the United Nations High Commission on Refugees during Sierra Leone's brutal, decade-long civil war. They face overwhelming obstacles in their pursuit of a place to jam and record, from displacement and separation to physical disfigurement and emotional despair. Yet, the All Stars persevere, and whenever they get together, they make wonderful music, a soulful blend of reggae, R&B, and traditional West African sounds that provides an exuberant backdrop to the topical lyrics. The filmmakers follow the musicians over the course of three years, as they move among various refugee camps and ponder the advisability of ever returning to their homeland. While their music inspires, their powerful personal stories quickly dispel the stereotype of refugees as helpless victims of war.

FILM CREDITS:

Directors Zach Niles, Banker White
Executive Producers Steve Bing, Shelley lazar
Producers Zach Niles,
Screenwriters Zach Niles, Banker White, Jim Bruce
Cinematographers Christopher Jenkins, Andy Mitchell
Editors Jim Bruce, Banker White
Music The Refugee All Stars band, The Emperors Dance band, Chris Velan

FILM HISTORY/ PRIZES:
2005 Documentary Award at AFI , Audience Award Miami International Film Festival

DIRECTOR’S BIOGRAPHY:
Zach Niles is the associate producer for the eight-part television series Live at The Fillmore, which aired on the UPN Television Network in 2001. Zach has a personal and professional interest in the music and culture of Africa. Banker White is a multidisciplinary artist and accomplished musician in the Bay Area. He received his MFA from the California College of Arts and Crafts. In 1994-96, he helped start the Kokrobitey institute in Ghana.

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The Republic of Baseball: The Dominican Giants of the American Game

FILM TITLE (Original): The Republic of Baseball: The Dominican Giants of the American Game
COUNTRY OF ORIGIN: Republica Dominicana/United States
YEAR OF COMPLETION: 2006
RUNNING TIME: 83 min.
FORMAT/COLOR/BW: Digibeta/Color
LANGUAGE: English
Spanish subtitles
FILM SHORT SYNOPSIS:
The Republic of Baseball: The Dominican Giants of the American Game is the story of Felipe Rojas Alou, Juan Marichal, Manny Mota, Ozzie Virgil and Felipe’s brothers Mateo and Jesus who preprared the way for the Dominicans who dominate Major League Baseball today. Despite their fame, the story of the heroism they showed in their fight for to triumph has gone largely untold – until now.

FILM CREDITS:
Director: Daniel Manatt
Executive Producers:
Producer: Daniel Manatt, Rob Ruck
Screenwriter: Rob Ruck
Cinematographer: Lance Gewer
Editor: Bret Granato
Music: Mark Kilian, Paul Hepker
Particiapnts: Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe

PHOTO GALLERY - DURING FESTIVAL
UASD - Puerto Plata, Nov. 9, 2006
UASD - Santo Domingo, Nov. 12, 2006

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Tsotsi

FILM TITLE (Original): Tsotsi
COUNTRY OF ORIGIN: South Africa/ UK
YEAR OF FILM COMPLETION: 2005
RUNNING TIME: 94mn
FORMAT/COLOR/BW: 35mm/Color
LANGUAGE : Zulu, Xhosa, Afrikaans
Spanish Subtitles
SHORT FILM SYNOPSIS:
A twenty something thug is prone to robbing, mugging and backstabbing fellow crooks. The day he carjacks and shoots a middle-class woman is a new low. The victim's baby is in the back seat. Is anybody beyond redemption? Winner of Audience Awards at both the Edinburgh and Toronto International Film Festivals. A nail-biting emotional
Rollercoaster.

SYNOPSIS:
Is anyone beyond redemption? Renowned and prolific South African playwright Athol Fugard (Master Harold and the Boys) is an equally perceptive author. His first and only novel, Tsotsi, proves that good storytellers have no boundaries. This evocative screen adaptation by writer/director Gavin Hood proves that good stories make great films.

Tsotsi (Presley Chweneyagae) is a twenty-something thug, prone to robbing, mugging, and backstabbing fellow crooks. Memories of an abused childhood haunt him and fuel his anger. No one in his Johannesburg shanty town is safe. The day he carjacks and shoots a middle-class woman (Nambitha Mpumlwana) is a new low, a pivotal point. Classic drama prevails in this violent, heart-wrenching urban allegory.

The film won the 2006 Foreign Film Oscars and the Edinburgh and the Toronto Film Festival Audience Awards.

FILM CREDITS:
Director Gavin Hood
Executive Producer Sam Bhembe Little, Doug Mankoff, Basil Ford, Joseph D’Morais, Alan Howden
Producer Peter Fudakowski
Screenwriter Gavin Hood ( based on novel by Athol Fugard)
Cinematographer Lance Gewer
Editor Megan Hill
Music Mark Kilian, Paul Hepker
Cast: Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe, Nambitha Npumlwana

FILM HISTORY/ PRIZES:
Oscar, Best Foreign Language Film of the Year, 2005 AFI: Grand Jury Prize and Audience Award, Winner at Denver, Toronto Film Festivals among others.

DIRECTOR’S BIOGRAPHY:
Born in Johannesburg, South Africa, Gavin Hood studied at the University of the Witwatersrand and at the University of California, Los Angeles. He directed educational dramas for the South African Education of Health before directing his first short film, The Storekeeper, in 1998. His first feature film was A Reasonable Man, which he also co-produced, wrote and starred in. His other features are the Polish-language film In Desert, Wilderness and Tsotsi.

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Vete y Vive

FILM TITLE (Original): Va Vis et Deviens
COUNTRY OF ORIGIN: France, Belgium, France, Italy
YEAR OF COMPLETION: 2005
RUNNING TIME: 140mn
FORMAT/COLOR/BW: 35mm, Color
LANGUAGE: Amharic, Hebrew, French
Spanish Subtitles
SHORT FILM SYNOPSIS:
Sudan, 1984 --- hundreds of thousands from 26 famine-struck countries find themselves in refugee camps in Sudan. Operation Moses, a vast project initiated by Israel and the United States, is undertaken to bring the Ethiopian Jews (Falashas) to Israel. A Christian mother pushes her 9-year-old son to declare himself Jewish, in order to survive … He grows up fearing that his secrets and lies will be discovered: he is neither Jewish nor orphan.

FILM SYNOPSIS:
In 1984, hundreds of thousands from 26 famine-struck countries find themselves in refugee camps in Sudan. Operation Moses, a vast project initiated by Israel and the United States, is undertaken to bring the Ethiopian Jews (Falashas) to Israel. A Christian mother pushes her 9-year-old son to declare himself Jewish, in order to survive.

The child arrives in the Promised Land. Officially an orphan, he is adopted by a French Sephardi family living in Tel-Aviv. He grows up fearing that his secrets and lies will be discovered: he is neither Jewish nor orphan, only black. Schlomo will discover love, Western culture and Judaism as well as racism and war in the Occupied Territories. He will become Jewish, Israeli, French and Tunisian all at once – a human Tower of Babel.

FILM CREDITS:
Director Radu Mihaileanu
Producers Marie Masmonteil, Denis Carot, Radu Mihaileanu
Screenwriter Radu Mihaileanu, Alain-Michel Blanc
Music Armand Amar
Cinematography Rémy Chevrin
Editor Ludo Troch
Cast: Yael Abecassis, Roschdy Zem, Moshe Agazai, Mosche Abebe, Sirak M. Sabahat

DIRECTOR’S BIOGRAPHY:
Radu Mihaileanu was born in Bucharest and worked as an actor, playwright and theatre director before enrolling at L’Institut des Hautes Études Cinématographiques (IDHEC) in Paris. He worked as an assistant director in France, where he is now based, and made the short films Les Quatre Saisons (80), Un Vieux (81), Happy End (83), Naissance de Blimp (84) and Mensonge d?un clochard (89). As well as directing for television, he has made the feature films Betrayal (93) and Train of Life (98), which won the FIPRESCI Prize at the Venice International Film Festival. Va, vis et deviens (05) is his most recent film.

FILM HISTORY/ PRIZES:
Berlin Film Festival: 2006 Panorama Audience Award, 2006 Best César award for screenwriting. Copenhagen International Film Festival, Golden Swan

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El Violin

FILM TITLE (Original): El Violin
COUNTRY OF ORIGIN: Mexico
YEAR OF COMPLETION: 2006
RUNNING TIME: 99 minutes
FORMAT/COLOR/BW: 35mm/ BW
LANGUAGE: Spanish
SHORT FILM SYNOPSIS:
Set in a small Mexican village during the uprisings of the seventies, the film portrays the tensions between the peasants and military in the Guerrero region. A tender and poignant drama shot in stunning black and white, The Violin is a beautiful story about a father's love for his family and the sacrifice of an unlikely hero. The film premiered at the 2006 Cannes Festival, Un Certain Regard.

FILM SYNOPSIS:
Set in a small Mexican village during the uprisings of the seventies, the film portrays the tensions between the peasants and military in the Guerrero region. Don Plutarco, his son Genaro and his grandson Lucio live a double life: on one hand, they make a humble living as traveling musicians, and on the other hand they also collect supplies and ammunition for the guerrilla movement that has arisen to fight the oppressive government, Upon returning to their hometown from one of their journeys, they find their village has been overtaken by the army. The musicians flee to the sierra hills, forced to leave behind their stock of ammunition. Playing up his appearance as a harmless violin player, the quietly dignified Plutarco has a plan: charm the army captain with his music and visit his cornfield to secretly smuggle his hidden arms. Don Plutarco has the music and wants the ammunition.

A tender and poignant drama shot in stunning black and white, The Violin is a beautiful story about a father's love for his family and the sacrifice of an unlikely hero. The film premiered at the 2006 Cannes Festival, Un Certain Regard.

FILM CREDITS:
Director: Francisco Vargas Quevedo
Producer: Francisco Vargas Quevedo
Screenplay: Francisco Vargas Quevedo
Cinematographer: Martín Boege Paré
Editor: Francisco Vargas Quevedo, Ricardo Garfias
Music: Cuauhtémoc Tavira, Armando Rosas
Cast: Don Ángel Tavira, Dagoberto Gama, Gerardo Taracena, Fermín Martínez

DIRECTOR’S BIOGRAPHY:
Francisco Vargas Quevedo was born in Ixtapaluca, Mexico. He studied theatre at the Escuela National de Artes Plásticas, communications at the Universidad Autonoma Metropolitana and filmmaking at the University Centre of Cinematography Studies. He has directed many commercials, documentaries and short films, as well as the acclaimed documentary Tierra caliente … Se mueren los que la mueven (04). The Violin (El Violín), based on his 2005 short film of the same name, is his feature directorial debut.

FILM HISTORY/ PRIZES:
Best Male Performance, Un Certain Regard, Cannes 2006

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Volver

FILM TITLE (Original): Volver
COUNTRY OF ORIGIN: Spain
YEAR OF COMPLETION: 2006
RUNNING TIME: 120 minutes
FORMAT/COLOR/BW: 35mm/Color
LANGUAGE: Spanish
SHORT FILM SYNOPSIS:
…” The power of motherhood and the blessing of good friends run as themes through Pedro Almodovar's entertaining fantasy "Volver," even though the central topics are abuse and death.” Ray Bennett, Hollywood Reporter. Starring, Penélope Cruz, Carmen Maura, Lola Dueñas, Blanca Portillo, Yohana Cobo, Chus Lampreave.

SYNOPSIS:
Volver comes at family secrets and generation gaps from several angles, looking at the split-second impulses that hide the truth. Raimunda (cruz) lives in Madrid with her daughter Paula (Yohana Cobo) and her husband Paco who's always drunk. Her sister Sole (Lola Dueñas) is separated and work clandestinely as a hairstylist for women. The two sisters lost their parents in a fire in La Mancha their birth village years ago. In the village remains only their aunt Paula (Chus Lampreave) where she is looked after by Agustina (Blanca Portillo), whose own mother mysteriously disappeared on the day of the fire. Paula continues to speak about her sister Irene (Carmen Maura), mother of the two, like if she is still alive ... When the old aunt die the situation change and the past come back (Volver) again, in a twist of mystery and suspense.

… “ Volver includes several kinds of coming back for me. I have come back, a bit more, to comedy. I have come back to the female world, to La Mancha. I am working again with Carmen Maura, Penélope Cruz, Lola Dueñas, and Chus Lampreave. I have come back to maternity, and naturally, I have come back to my mother. “ Pedro Almodóvar

FILM CREDITS:
Director Pedro Almodóvar
Executive Producer Agustín Almodóvar
Producer Esther Garcia
Screenwriter Pedro Almodóvar
Cinematographer José Luis Alcaine
Editor José Salcedo
Music Alberto Iglesias
Cast: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanca Portillo, Yohana Cobo, Chus Lampreave

FILM HISTORY/ PRIZES:
Cannes Film Festival, 2006: Best Screenplay: Pedro Almodóvar, Best Female Ensemble: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanca portillo, Yohana Cobo, Chus Lampreave; San Sebastian 2006: FIPRESCI Film of the Year. Spain's submission for the 2007 Foreign-language Academy Award.

DIRECTOR’S BIOGRAPHY:
Pedro Almodóvar was born in Calzada de Calatrava, Spain. A self-taught filmmaker, he directed his first feature, Pepi, Luci, Bom and the Other Girls, in 1980. His 1999 film All About My Mother won the Academy Award for best foreign language film. His other films include Labyrinth of Passion (82), Dark Habits (83), What I Have Done to Deserve This? (84), Matador (86), Law of Desire (87), Women On The Verge of a Nervous Breakdown (88), Tie Me Up! Tie Me Down! (90), High Heels (91), Kika (93), The Flower of My Secret (95), Talk to Her (02), Bad Education (04), and Volver (06).

PHOTO GALLERY - DURING FESTIVAL
UASD - Santiago, Nov. 8, 2006
UASD - Santo Domingo, Nov. 9, 2006
UASD - Puerto Plata, Nov. 10, 2006

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Water

FILM TITLE (Original): Water
COUNTRY OF ORIGIN: Canada, India
YEAR OF COMPLETION: 2005
RUNNING TIME: 117 mn
FORMAT/COLOR/BW:
LANGUAGE:
Spanish Subtitles
SHORT FILM SYNOPSIS:
Deepa Mehta's brave exploration of India's storied past continues in her perfectly pitched, finely judged tale of a young Hindu girl whose life is suddenly changed by the traditions of her religion. Delving into Indian society of the thirties, Mehta has made a remarkably inspirational film about a girl who refuses to accept her fate and struggles against powerful religious customs that turn her into a prisoner without a future.

SYNOPSIS:
Deepa Mehta's brave exploration of India's storied past continues in her perfectly pitched, finely judged tale of a young Hindu girl whose life is suddenly changed by the traditions of her religion. Delving into Indian society of the thirties, Mehta has made a remarkably inspirational film about a girl who refuses to accept her fate and struggles against powerful religious customs that turn her into a prisoner without a future.

The third film in her Elemental Trilogy - Fire and Earth precede it - Water is set against the epic backdrop of the River Ganges during Gandhi's rise to prominence. Chuyia (Sarala) is an eight-year-old child bride whose husband suddenly passes away. According to custom, her head is shaved and she is taken to an ashram for Hindu widows where she is expected to atone for the sins of her past that resulted in the death of her husband. It is a virtual exile, with no hope of escape. The ashram is full of other widows, old and young, all with their own stories, hopes and fears.

Some of them have accepted their fate, others are bitter about their lot in life. The indefatigable Chuyia is left to navigate this world and learn its lessons.

Water is Mehta's richest and most complex film to date. It is the work of a humanist, made with incredible tenderness and true concern for the plight of all her characters.

FILM CREDITS:
Director Deepa Mehta
Executive Producer Mark Burton, Doug Mankoff, Ajay Virmani
Producer David Hamilton
Screenwriter Deepa Mehta
Cinematographer Giles Nuttgens
Editor Colin Monie
Music Mychael Danna, A.R. Rahman
Cast: Lisa Ray, Seema Biswas, Kulbhushan Kharbanda, Waheeda Rehman, Raghubir Yadav’,

FILM HISTORY/ PRIZES: Genie Awards 2006, Received Awards at numerous Festivals, Canada entry for 2007 Oscars

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An initiative of Global Foundation for Democracy and Development (http://www.globalfoundationdd.org) and Fundación Global Democracia y Desarrollo (http://www.funglode.org)

TRAILERS

Babel
USA


Volver

Spain


Tsotsi

South Africa/UK


Good Night and Good Luck

USA


The Lost City

USA


An Inconveniente Truth

USA


The Last King of Scotland

UK


Crónica de una Fuga

Argentina


Maquilapolis

USA/Mexico


Secuestro Express

Caracas, Venezuela


Pan's Labyrinth

Spain/Mexico


The Republic of Baseball: The Dominican Giants of the American Game

Dominican Republic/USA