News
How to Get Your Music onto Television and into Films
Santo Domingo, November 21, 2009
Noticias del Festival
A Night of Admiration and Femininity
By Laura García
November 24, 2009
Actors Workshop Finishes up Film Festival
Por Cynthia Abréu
November 24, 2009
Santo Domingo East Film Exhitbitions Prove to be Great Success
By Gloriannie Lopez
November 22, 2009
Santo Domingo East Opens Its Doors to the Dominican Global Film Festival
By Gloriannie Lopez
November 22, 2009
"Touched" Closes III Dominican Global Film Festival in Cap Cana
By Izaskun Herrojo
November 22, 2009
Standing Ovation at The Rope at the National Theater
By Rubén Darío Cruz
November 22, 2009
Scheduled To Close III Dominican Global Film Festival, "Sol Caribe" is Seen in Cap Cana’s Under the Stars Screenings
By Izaskun Herrojo
November 22, 2009
“The Effects of Fishing” Last Panel for Schools in the National Theater
By Karla Astwood
November 21, 2009
Filmmakers as Agents of Social Change
By Magnolia Almánzar
November 21, 2009
The Internet: Film distribution channel or path to easy pirating?
By Cynthia Abréu
November 21, 2009
How to Get Your Music onto Television and into Films
By Erlyn Rodríguez
November 21, 2009
Gabriel Noble: “It was four years of filming and one year to finish up the film.”
By Erlyn Rodrígue
November 21, 2009
Technology, Media and Entertainment in the FUNGLODE Auditorium
By Stalin Montero
November 21, 2009
“Is is Poetry, Not a Documentary”
By Johan Mijail Castillo
November 21, 2009
The Wind Journeys Kicks Off Screenings at Film Center
By Johan Mijail Castillo
November 20, 2009
“Between Us": In Honor of My Mother
By Rainier Maldonado
November 20, 2009
“Know the People, Know the Industry” Panel Offers Access to Development Data
By Jhovanna Pumarol
November 20, 2009
The short film: Is it art or a path to success for filmmakers?
By Izaskun Herrojo
November 20, 2009
P-Star Rising The true story of a rapper girl
By Karla Astwood
November 19, 2009
“Meet the people, meet the industry,” a conversation with filmmakers
By Cynthia Abréu
November 19, 2009
Screening of The Cove Generates Debate on Killing of Marine Mammals
By Karla Astwood
November 19, 2009
Inaugurations in Santiago, Puerto Plata and Nagua Heat up Atmosphere of the III Dominican Global Film Festival
By I. Herrojo, C. Abreu & B. Rosado
November 18, 2009
“The Role of International Organizations” opens Festival Panels
by Karla Astwood
November 17, 2009

 
 
 
 
 
 
 
 

The panel turned into a session of “everything you ever wanted to know about the music business but were afraid to ask.”

By Jhovanna Pumarol

“My name is Porfirio Pina and I am here to help you get your music listened to.” With this sentence the senior director of Broadcast Music Inc. began his presentation at the III Dominican Republic Global Film Festival in a room that was full of good vibes and lots of enthusiasm.

Porfirio Pina gave a brief introduction about his professional life revealing that, at his young age, he has already helped launch the career of such musicians as Nicolás Tovar and the groups Sandy and Papo and Los Ilegales, among others.

He talked about the part of the process that he considers the most tedious and terrifying for a songwriter: legal issues such as authors’ rights, agreements and placement of work and compositions.

As he spoke, you could hear a pin drop in the room. No one dared speak for fear of missing out on something Porfirio was saying. No one could believe that in a half-hour one could say so much. He talked about the essential elements for reaching the top: have a record label, register a piece of music and sell yourself. He then asked: “Any doubts?” In seconds, hands shot up all over the auditorium.

All the questions were based on personal experience that needed solutions. It is fair to say that Por firio, with charisma and honesty, answered many of the difficult questions. Minutes passed and no one noticed that everyone was talking amongst themselves, giving each other advice.

One question opened a debate and soon jokes were being told. For a few moments, people forgot about the questions and were chatting and getting to know each other; the barrier between the speaker and the audience disappeared and became an interchange between people seeking and people giving advice.

By way of increasing people’s confidence, Porfirio told the story of how he got into the music business. The moral of the anecdote was that things are not as easy as they look and that giving up is not an option for those who really want to be part of the music business world.

The most important bit of advice he had was the need to protect authors’ creations. He said that anything could happen to anyone at any time and therefore it was essential to register one’s work immediately.

Wrapping up the conversation, Porfirio put himself at the disposition of everyone in the room: “I can’t finance anyone’s films, but I am willing to help you. I respond to all calls and e-mails, so don’t ever worry about that.”

Everyone was happy when they left the hall because a huge weight had been lifted off their shoulders. They commented that there are very few people around like Porfirio Pina, a person capable of empathy and willing to help.

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III Dominican Republic Global Film Festival - 2009